1878年(📆)（明治11年）。在明治维新(🔟)之(zhī )后(hòu )，为(wéi )了(le )处(✉)(chù )理(lǐ(🈯) )日(rì )本(běn )国(guó )内(📭)(nè(🚒)i )的(de )士(shì )族叛乱这(🕌)类犯罪(🏨)者，将他们大部分(🌍)都(🕉)送到了监狱里，但是逃狱(🏃)事(👵)件时(😡)有发生。于是(🌅)政府就(🦇)在滋贺县的琵琶(👃)湖(🏈)里浮着的巨树中(🚦)建造了(👭)绝对不可能逃狱的(🥢)监狱「(💩)狱门处」，将(jiāng )重(🎿)(chó(📞)ng )犯(fàn )全(quán )都(dōu )送(🖤)(sòng )了(le )进(🈵)(jìn )去(qù )。而(ér )负责(🏃)最(✊)后阶段护送的「渡桥者(👞)」(🏍)一职则是由湖边(🍝)「昙神(🥐)社」的(de )「昙(tán )之(🏊)(zhī(👵) )三(sān )兄(xiōng )弟(dì )」(📏)担(dān )任(😍)(rèn )。福(fú )士(shì )饰演(🏸)昙(🥎)家的长男——昙天火。

潘(🔼)仲(🍙)明上班前突然接(🔇)到一条(😚)女儿被绑架的微(😪)信(📑)小视频，女儿情况(🈶)十分危(🈵)急。救女心切的潘氏(🏙)夫妇决(✝)定甩开警察私下(🔣)和(🧠)绑匪交易，未料出(🎇)现(xiàn )种(🥇)(zhǒng )种(zhǒng )意(yì )外(wà(🗣)i )。此(😾)(cǐ )时(shí )妻(qī )子(zǐ )埋(mái )藏(📴)多(🏷)年不为人知的秘(😿)密也随(😢)之而浮出水面，使(🍪)局(🌡)面更加扑所迷(mí(🔒) )离(lí )。事(🥊)(shì )情(qíng )究(jiū )竟(jìng )缘(💱)(yuán )何(hé )而(ér )起(qǐ )？绑(bǎ(💁)ng )匪(🥍)(fěi )到底为何人？(⏲)女儿能(🆖)否平安归来？惊(🌰)天(🧓)阴谋正在上演……

The former star of a short-lived television sitcom, Fabien, drinks too much to remember everything he does and not much surprises him anymore. When his path crosses Yoni’s, he is not surprised to discover, in the wake of this young, tearful, military man, the head of yet another young man, beautiful like a dream, a memory, a reproach.

讲(🖨)述基督徒圣·保罗(🍑)(扫禄·(🏏)大数)的传奇故事(📮)，他(🙏)如何从教会的迫(🌸)害者变(🍣)为最强大、最有(🐪)地(⛹)位的拥护者。Andrew Hyatt执导(dǎo )，明(mí(👎)ng )年(🈹)(nián )3月(yuè )28日(rì )上(shà(🌙)ng )映(yìng )。

这(📿)(zhè )是(shì )一对情侣(🚥)前(🤤)世今生的纠葛的(👖)爱情故(🚖)事；前世，李卿源（(🛵)王可 饰(shì )）为(wéi )了(le )保(bǎ(♒)o )护(🐷)(hù )朱(zhū )蔓(màn )（于(🎂)(yú )果(guǒ(🏃) ) 饰(shì )）挡(dǎng )箭而(🕋)亡(⏩)；今生，他们因为考古再(🏏)度相遇，一方为了保(🕖)护文物(🧔)不惜付出生命代(🕊)价(🔯)，另一方为了抢夺(🤞)费尽心(📉)思，文物最终将落(🌾)入(🎥)谁，俩人是再续前缘还是(📥)反(🍕)目成仇？一场大(📚)(dà )战(zhà(🍫)n )一(yī )触(chù )即(jí )发(🦑)(fā(🌱) )！

街(jiē )头(tóu )女(nǚ )骗(🚲)(piàn )子Julia被(🗞)绑架，将被用于做一(😑)个致命实验，她的唯一希(🤗)望(🍼)寄予幕后(hòu )黑(hē(🌏)i )手(shǒu )Alex创(🎬)(chuàng )造(zào )的(de )一(yī )项(🔆)(xià(⬇)ng )人(rén )工(gōng )智(zhì )能(néng )TAU，装备(🛍)有大量的无人机和(😏)机器人(🥒)，能自动操纵Alex打造(🛠)的(🏸)智能房屋和实验(🛋)室，墙壁(😦)内村有屏幕，能从(⚡)草(🌗)原变为深度空间。TAU的能力(⏺)受(🆖)限于它所理解当(🌃)下所处(🐥)的环境，但它的潜(🗓)力(🕺)远(yuǎn )不(bú )止(zhǐ )于(🔁)(yú )此(cǐ(🈚) )。足(zú )智(zhì )多(duō )谋(mó(🦖)u )又(yòu )勇气十足的Julia将与时(🏎)间(🧣)作斗争，在人与机(🛥)器之间(🤖)建立信任的桥梁(🔁)(liá(🆗)ng )，争(zhēng )取(qǔ )重(chóng )新(xīn )获(huò(🏮) )得(dé )自(zì )由(yóu )，而(é(👜)r )不(bú )会(🤔)落入和之前6位同(🚡)样(➿)被用于实验之人(🍙)的同一(💠)个下场。

时间是2025年(🥍)。2020年(🗒)被预定的东京奥运会由(🌕)于(💧)大规模的恐怖袭(🎻)击而被(✴)迫中止。主会场附(Ⓜ)近(🏑)的湾岸区域，由于(🤮)目前被(🧔)联合国管(guǎn )辖(xiá )而(😭)(ér )成(chéng )为(wéi )特(tè )别(bié )地(📖)(dì(🎁) )域(yù )，成(chéng )为了治(♟)外法权(♟)控制的地域。

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@

Following an end-of-term school ceremony, the American boy Bobby decides to go with his friend Akkun into the mountains outside their village, to a place perfect for a secret base. On the way they stop into a mysterious amusement park. They have fun there, but are attacked and cannot leave. Falling in with some other children who are also lost there, they fend off a number of attacks, and gradually learn the truth behind the facility. It was put there by a man named Koike as a trap for passing children. His son Takashi needs to feed on human children in order to survive. Akkun is killed, and Bobby is captured with Tokiko, a girl they have met there. She disappears, and Koike goes to work on Bobby, trying to fatten him up. Bobby manages to escape. With the help of Saruyoshi, a mysterious old hermit, and the animals of the forest, Bobby builds up his strength and returns to the facility in an attempt to save Tokiko.——(📜)IMDb

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@