黄河晋(jìn )陕(shǎ(😄)n )大峡谷(🕦)的壮阔(🐬)背景中(⛏),邵兵姜(🅱)武分饰一对警(jǐng )察大盗(dà(⛔)o ),江湖(hú(👮) )恩(ēn )怨(👬)从20年(niá(🏋)n )前(qián )计(🕖)起,又因故人之女再(📪)度重逢(🛳)。当年的(🎽)枪声改变了(le )众人的(de )命(mìng )运(🏅),这(zhè )一(🌯)次追(zhuī(👎) )捕(bǔ )像(🥜)轮回中(🕒)的一场重逢,“有生以来,侠路相(xiàng )逢(🐿),终(zhōng )不(💊)(bú )能幸(🌬)免(miǎn )”。尘(🍮)(chén )封(fē(📠)ng )的秘密被不断牵出(♈),往事的(🐝)波澜再次起伏。巨石壁(bì )立(lì ),黄河(🗯)(hé )奔流(🔋),所(suǒ )见(🔗)证的(de )罪(😯)恶与惩(🍾)罚、英勇与荣誉,是一段荡(📞)(dàng )气回(🔣)肠(cháng )、(🐉)感慨(kǎ(🚀)i )唏(xī )嘘(〽)的英(yīng )雄(xióng )故事,也(🤥)是一段(🔀)惊心动(💃)魄的黄河边的残酷青春......
巴(🛐)勒(lè )斯(🤠)坦電(dià(📃)n )視(shì )台(👾)攝製(zhì(📌) )臥底肥(féi )皂(zào )劇,連以色列婦孺都(🙀)晚晚追(📙)看。編劇(🔤)因情節(🥈)(jiē )背離(🛠)革(gé )命(mìng )而辭職(zhí(💉) ),監製(zhì(🚆) )的(de )多口侄仔助理受命執筆,頻頻借(⭕)女角之(😐)口,向電(🛁)視(shì )機(🧔)(jī )前的(🚑)舊(jiù )愛示好(hǎo ),以色列(liè )檢(🌇)查站軍(🤪)官則企(🐈)圖恃權(❔)影響劇(🕴)情發展(zhǎn ),以便(biàn )在(✳)追看(kà(🚵)n )的(de )嬌妻(🏺)面(miàn )前(qián )自吹自(zì )擂。助理(🔣)即使槍(🐶)抵腦殼(😕),都不肯(🥝)接受軍(🙀)官要(yào )求的大(dà )團(tuán )圓結局(jú )。抗(🕘)爭(zhēng ),必(👸)須繼續(🏧)!影展新(😢)秀蘇亞(😡)比巧妙調侃以巴關(🙀)(guān )係,他(👗)(tā )的(de )喜劇座(zuò )右銘是(shì ):要能大(㊙)笑,必須(🥣)面對苦(📼)痛,並與(😴)之周旋(🧖)。獲(huò )威尼斯(sī )地(dì )平線單(🌓)(dān )元最(📺)佳(jiā )男(💩)(nán )主角(🅿)獎(jiǎng )。
藝(🚁)術家自古皆寂寞或(🙉)許是境(👴)界,人(ré(🍶)n )到中年(nián )萬事憂(yōu )則(zé )是(🎤)現實(shí(🍱) )。在畫室(👛)(shì )洋洋(🤐)灑灑呈(⛔)現自由雄風的裸男畫作令他一舉(📆)(jǔ )成名(🏴),在(zài )家(🕸)面對(duì(😚) )前妻懷(📕)(huái )着(zhe )新歡骨肉、與(🦆)女兒相(🃏)處尷尬卻令他一籌莫展(zhǎn )。貝蒙(mé(🛵)ng )特(tè )的(🧓)寂寞(mò(💛) ),在於(yú(📐) )如(rú )何(🐁)在著名畫家與單親爸爸雙(⚫)重身份(🔲)、藝術(🍴)創(chuàng )作(🎭)與家(jiā(🥔) )庭生活之(zhī )間取得(👮)(dé )平(pí(🍶)ng )衡。維(wé(🛋)i )羅(《電影就在街角》,35 屆)找(🧥)來合(hé(🕴) )作多年(📱)(nián )的編(🎱)劇(jù )兼(🚵)(jiān )美指好(hǎo )友對號入(rù )座,還原藝(🗞)術家有(🍙)血有肉(🐻)的矛盾(😽)本性,在(🚭)出(chū )世與入(rù )世(shì(👼) )的兩難(🌱)(nán )外,毋(wú )忘(wàng )點點超現實的幽默(🍆)。
藝術家(💘)自古皆(🕑)寂寞或(🧛)許(xǔ )是境界(jiè ),人到中(zhōng )年萬事(shì(🈸) )憂(yōu )則(🏚)是現實(🕊)。在畫室(🎎)洋洋灑(🖌)灑呈現自由雄風的(🚠)(de )裸男畫(🔝)(huà )作令他一(yī )舉成名(míng ),在家面(mià(🍧)n )對前妻(🌑)懷着新(💚)歡骨肉(🕋)、與女(🐶)兒相處尷(gān )尬卻令(lìng )他一籌(chóu )莫(📃)(mò )展。貝(🍺)(bèi )蒙特(💋)的寂(jì(🔠) )寞,在於如何在著名(🏭)畫家與(🌞)單親爸(👻)爸雙重身(shēn )份、藝(yì )術(shù )創作與(👭)(yǔ )家庭(📰)生(shēng )活(😚)(huó )之間(💀)取得平衡。維羅(《電影就在街角》,35 屆(🍧))找(zhǎ(🛥)o )來(lái )合(♒)作多(duō(㊗) )年的編(🖋)(biān )劇(jù )兼美指好友(🏑)對號入(🔚)座,還原藝術家有血有肉(ròu )的矛盾(🏴)(dùn )本性(🎫),在(zài )出(🐕)世與(yǔ(🏇) )入(rù )世(👩)的兩(liǎng )難外,毋忘點點超現實的幽(🌜)默。
VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene.
在一(🤪)家救济(⚽)(jì )院,病(🎯)(bìng )人(rén )被拍恐(kǒng )怖(📛)片进行(🙏)(háng )精神(🕎)病研究,他们都疯了。这些电影被曝(🧣)光(guāng )了(🙄),其(qí )中(🎀)(zhōng )五成(🔅)画(huà )面是七(qī )八(bā )十年代OOXX的场景(🖖),给你不(😁)一样的(🛍)观影体(🗼)验……(🤔)
遭到友(yǒu )人(rén )設局(🕕)而(ér )欠(🐤)下大(dà )筆(bǐ )債務的張父,逼不得已(🦁)帶著一(🐟)家四口(🚺)承租花(♉)(huā )蓮的(🦍)一(yī )處 凶宅,此處過(guò )去(qù )曾發生(🧒)(shēng )了駭(🖲)人聽聞(🗄)的五子(🕝)命案。初入凶宅的當(🛃)天,一些(📿)若(ruò )有(😣)(yǒu )似無鬼(guǐ )影幢幢,加上張父突如(🥌)其來的(🎨)搬家舉(📈)動,惹的(🙂)張母與(yǔ )大姊心(xīn )裡(lǐ )不愉快(kuà(💂)i )。即使(shǐ(➡) )向(xiàng )張(🌳)父抱怨(🔳),鐵齒的(💷)張父以一貫不信鬼(🏿)神的態(🎊)(tài )度,予(yǔ )以(yǐ )拒絕。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.