巴(bā )勒(🚦)斯(sī(🍗) )坦電視台攝製臥(🔂)底肥皂劇,連以色(📅)列婦孺都晚晚(wǎ(🏗)n )追看(📵)(kàn )。編(biān )劇因(🛁)(yīn )情(🖥)節(jiē )背離(lí(😄) )革命(🤗)(mìng )而辭(cí )職,監製(🔴)的多口侄仔助理(🕕)受命執筆,頻(📟)頻借女角之口(kǒ(🎡)u ),向(xiàng )電視(shì )機前(🌔)(qián )的(🏨)舊(jiù )愛示(shì(😡) )好,以(✊)色列檢查站(📼)軍官(🔘)則企圖恃(shì )權影(🔀)(yǐng )響劇(jù )情發展(👫),以便在追看的嬌(⛵)妻面(🦃)前自吹自擂(👔)。助理(🌝)(lǐ )即使(shǐ )槍(✳)抵(dǐ(😙) )腦殼(ké ),都(dōu )不肯(✴)(kěn )接受(shòu )軍官(guā(💢)n )要求(qiú )的大團圓(🗓)結局(🥩)。抗爭,必須繼(🏵)續!影(🏻)展新秀蘇亞(🎄)比巧(🔰)(qiǎo )妙調(diào )侃以(yǐ(🦄) )巴關(guān )係,他的(de )喜(🧘)劇(jù )座右(yò(🦁)u )銘是:要能大笑(🔷),必須面對苦痛,並(🚅)與之(🎐)周旋。獲威(wē(🏹)i )尼斯(🏀)(sī )地平(píng )線(🐫)單(dā(🤑)n )元最(zuì )佳男主角(🐏)獎。
一阵风暴之后(💏),齐(qí )格林(lín )德救(👍)(jiù )助(🌖)了一个受伤(🆙)的陌(☕)生人。他们相(🖨)知相(😧)爱,才发现这是(shì(🎏) )她失(shī )散多(duō )年(🐢)的(de )孪生(shēng )兄弟(dì(🍓) )齐格(🤤)(gé )蒙德(dé ),他(🖼)们都(👝)是众神之王(🤧)沃坦(🖼)的非婚生子女。齐(✒)格林德的(de )丈夫(fū(👉) )洪丁(dīng )与齐(🐚)(qí )格蒙(méng )德决(jué(🔜) )斗,因沃(wò )坦和天(🌴)后弗(🏬)里卡的作祟(😌)齐格(❗)蒙德丧命。女(📜)武神(🌵)布伦希(xī )尔德(dé(🍟) )救走(zǒu )了齐(qí )格(🏣)林(lín )德,并预言她(🔸)腹中(🗯)的孩子将是(🐐)未(wè(🐒)i )来的(de )英雄(xió(♒)ng )齐格(🥢)弗里德。
牧江村郊(😩)野山藏有一怪,赤(🚦)面獠牙,名(míng )曰垃(🌚)(lā )圾(🍯)人(rén ),他(tā )身(📚)世(shì(📃) )神秘(mì ),以(yǐ(🌀) )垃圾(⤵)(jī )为食,日遇村妇(👚)马秀娟,将其掳掠(🍒)。马秀娟通过(🥤)与垃(lā )圾人(rén )的(😆)交(jiāo )往,发现(xiàn )他(🕡)虽(suī(🔡) )丑陋(lòu )骇人(🎱)(rén ),却(🤞)心地单纯。但(🤚)天不(🐧)遂人愿,“单纯”的垃(🕦)圾人却(què )将马(mǎ(⏮) )秀娟(juān )视为(wéi )配(💼)偶(ǒu ),囚于废弃厂(🗻)房。矿(😔)山老板徐东(🔩)(dōng )南(🚧)徐(xú )西北(běi )两兄(🎫)弟欲借炸山除垃(🏦)圾人之名在野山(👟)非法拓矿,全然(rá(🏵)n )不顾(🏰)(gù )马秀(xiù )娟(💾)安(ā(😛)n )危。而垃(lā )圾人(ré(🍹)n )通过(guò )马秀娟逐(💐)渐了解人类(🏀)的尊(📥)重与爱,遂将(🕠)其放归牧江村(cū(🔢)n )。马(mǎ )秀娟(juān )得知(👯)(zhī )徐(⛏)东(dōng )南阴(yī(🔈)n )谋后(🌎)(hòu )为救(jiù )垃圾人(🕳)与之抗争,最终被(👤)绑于山上,垃圾人(🍡)为救马秀(xiù )娟与(🦇)(yǔ )徐(💌)东(dōng )南死(sǐ(🔐) )命相(✨)(xiàng )搏,后被徐东南(🎺)炸死。环保组织(zhī(🥌) )声明(míng )垃圾(jī )人(👳)出现乃牧江村的(🔰)环保(🏂)意识薄弱之(📇)恶果(💨),垃圾人本无(wú )罪(♋),罪在(zài )人心(xīn )对(🍼)环(huán )境的(de )态(🕤)度(dù(🥇) ),并(bìng )呼吁民(🦂)众善待环境。
藝術(🍔)家自古皆寂寞或(🏬)許是(⬛)境界,人到(dà(📘)o )中年(🍽)(nián )萬事(shì )憂則(zé(✉) )是現(xiàn )實。在畫(huà(💷) )室洋洋灑灑呈現(🗡)自由雄風的裸男(🍣)畫作(🦏)令他一舉成(🗄)名,在(🌰)家(jiā )面對(duì )前妻(🐶)(qī )懷着(zhe )新歡骨肉(🌺)、與女兒相處尷(🌛)尬卻令(lìng )他一(yī(🍲) )籌莫(☕)(mò )展。貝蒙特(⬆)的寂(🈚)寞,在於如何在著(📑)名畫家與單親爸(💚)爸(bà )雙重(chó(🤑)ng )身份(🏘)(fèn )、藝(yì )術(📣)創(chuàng )作與(yǔ )家庭(🎷)(tíng )生活(huó )之間取(✨)得平(🦃)衡。維羅(《電(🌥)影就(🌒)在街角》,35 屆)找來(🥟)(lái )合作(zuò )多年(niá(🎸)n )的編(biān )劇兼(jiān )美(📌)指(zhǐ )好友(yǒu )對號(🍣)(hào )入(🔻)座,還原藝術(📛)家有(⛩)血有肉的矛盾本(👌)性,在出世與入(rù(❕) )世的(de )兩難(nán )外,毋(🈚)忘(wàng )點點(diǎn )超現(🎧)實的(🚏)幽默。
讲述了(⛎)大庆(🏽)(qìng )从自(zì )暴自(zì(🏠) )弃到励志蜕变的(👲)过程。女友在(😐)金店(🐍)工作,大庆来(💗)到金(jīn )店门(mén )口(🌈)想(xiǎng )给女(nǚ )友一(🚀)(yī )个(🏃)生(shēng )日惊(jī(🔘)ng )喜,却(🛍)意外撞到女友和(🐏)有钱人的暧昧纠(🛤)缠,大庆明白了一(🙄)(yī )切,原本(běn )以为(🐋)(wéi )单(🎭)纯(chún )的爱(à(📩)i )情却(🛠)(què )被现(xiàn )实狠狠(🍋)打了一巴掌,大庆(🏈)变得颓废,酗酒成(🖊)瘾。醉醺(xūn )醺的(de )大(🎓)庆(qì(🚲)ng )在酒(jiǔ )吧的(🥞)(de )门口(🎶)(kǒu )上演一幕喜剧(✌),酒吧买醉的(de )大庆(🗃)(qìng )述说(shuō )着(🥄)自己(🚌)的心伤,一首(⏳)《味道》唱出来多少(🚂)人的伤心,一首(shǒ(🤼)u )歌引(🕴)(yǐn )起酒(jiǔ )吧(🏠)老(lǎ(🐻)o )板小(xiǎo )玉赏(shǎng )识(🉑),被生活所迫的大(🙋)庆选择接受酒吧(🙄)歌手的工作,同时(🥌)两人(😮)(rén )展开(kāi )了(🐹)甜(tiá(😭)n )蜜的(de )爱恋(liàn ),却(què(🏾) )因此(cǐ )得罪(zuì )了(📮)酒吧经理,不幸的(🐂)是小玉的身体却(🍍)一天(🏰)不如一天......
影(🐜)(yǐng )片(🐙)讲(jiǎng )述青(qīng )年医(📽)(yī )生刘(liú )云翔(xiá(🤣)ng )因为父亲的(🍎)被杀(⏱)从而卷入了(📗)(le )一起(qǐ )日军(jun1 )盗抢(🧚)国宝化石的阴谋(🌾),展示(🚐)了我北平地(📸)下党(📥)为保护民(mín )族国(🧓)(guó )宝而(ér )同日(rì(🌵) )本侵(qīn )略者(zhě )斗(🈸)智(zhì )斗勇(yǒng )的故(🐕)事。
阿(👇)軒意外穿越(👮)回到(🤡)了5年前仍在讀大(🚅)學的時期(qī ),正(zhè(🐉)ng )是他(tā )與女(nǚ )友(📨) Joyce第(dì )一次(cì )邂逅(🥚)(hòu )的(😋)日(rì )子。阿軒(🗓)認為(😇)這是上天給他的(⭕)一次機會, 讓他阻(🌁)止父(fù )親因(yīn )沉(🤣)迷(mí )賭博(bó(🕑) )而鑄(zhù )成大(dà )錯(〽)、並救回5年後意(⏱)外受(🚾)傷昏迷的(de ) Joyce,從(🥔)(cóng )而(🕙)改變自己的命運(📎)。然而,命運真的可(㊗)以改變嗎?一(yī(🛅) )切又(yòu )是否(fǒu )可(⛺)以(yǐ(🎏) )如他(tā )所願(🐬)(yuàn )?(🏨)
A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.