查理兹·(👓)塞(sāi )隆饰(shì(🔸) )演(💖)一位(wè(🤹)i )因照顾孩子(👁)而(🎎)辛勤劳(🖤)作的母亲，两位(👂)熊(xióng )孩(🌓)子(zǐ )加上一(yī(👼) )个嗷(áo )嗷待哺的婴(yī(🤺)ng )儿，似乎要(🍫)(yào )把她压垮(🚿)，她的世界(🔶)因(yīn )为一位(🤬)名叫(jiào )塔(🈺)利的保姆(mǔ(🐉) )(麦肯(kěn )兹·戴(dài )维斯(🎳)饰)出现，发生了天翻地(👬)覆的改变。

迈(✡)克尔·B·(🌴)乔丹(dān )将主(🚐)演(yǎn )动作(🈹)(zuò )惊悚片[Men Who Kill]，这(🧚)(zhè )是20世纪(📠)福斯(sī )为他(⬆)量身打(dǎ(🍖) )造的作品。

After experiencing a series of traumatic events, a young guy falls for a girl. And while she falls for him as well, one question remains: is she actually real, or a figment of his imagination?

Armin深(💠)感(🏻)已不再(🤬)(zài )年轻：他(💡)不(🕷)(bú )能再(♿)(zài )像自己(jǐ )喜(🈶)欢的女(🚇)孩那样在外玩(🖥)乐到深夜。他并(bìng )不觉(🥅)(jiào )得幸福(♌)(fú )，但(dàn )又无(🔔)法想象(xià(🍞)ng )其他的生活(💏)(huó )方式。一(📺)天(tiān )早晨他(📰)醒来(lái )后，发现世(shì )界(🐅)依然未变(biàn )，却(què )不再(🔶)有(yǒu )一丝(sī(😡) )生命的痕(🈵)迹。这部影片(🐿)展示了绝(🍱)对自由所带(🆚)来(lái )的灾(🏺)(zāi )难。

故(gù )事(🧚)讲(jiǎng )述了(👟)为了保(bǎo )卫(🤕)家(⏪)园，鬼(guǐ(🌬) )街少年小吉(🚦)(jí(🍪) )利与“天(🚦)下(xià )第一厨”六(🍤)(liù )扇肉(🧟)的大弟(dì )子味(🏖)(wèi )极立下(xià )赌约——(📫)在京城召(🦇)开的天下料(👇)理大赛上(👀)(shàng )一决(jué )高(📛)下。一场(chǎng )关于代表草(🛳)(cǎo )根美食的黑(hēi )暗料(😠)理和山(shān )珍海味的高(📡)(gāo )级料理之(🌸)战(zhàn )也随(🚁)之拉开(kāi )了(🎋)序(xù )幕。

在(💻)(zài )《琐(suǒ )事烦(👒)心》（Wolfsbergen，2007年论(🐪)坛单元），《布(🧑)朗运动》（(🧜)Brownian Movement，2011年(nián )论坛单(🕊)(dā(🚻)n )元）和(👙)《一切很(hěn )安(🧔)静(👑)》（Boven is Het Stil，2013年全(🎵)景单元(yuán )）之(🗃)后，荷(hé )兰导演娜诺(nuò(⭐) )克•利奥波(bō )德将(jiā(🍽)ng )会带着(zhe )新(🎺)片来到2018年的(🚎)柏林电影(🌛)节在 Generation 14plus中角逐(📢)。以(yǐ )她特(tè )有的沉(ché(🛴)n )静的(de )激进主义风(fēng )格(🈲)，她的新(xīn )片跟随着15岁(👑)(suì )Cobain的脚步，在(🔶)(zài )城市里(🕓)徘徊(huái )，寻找(💰)他自(zì )毁(🕉)的(de )母亲。在途(🕚)(tú )中，他遇(🔀)到了她的老(☔)朋友们，社(🚯)工们，以及一(🔧)(yī(🌏) )家美(mě(📜)i )沙酮诊(zhěn )所。在(👀)他的电(🌃)影(yǐng )处女作中(🚝)，Bas Keizer温柔又有力(lì )地表现(🕷)出了(le )一个必须要(yào )快(🌉)速长大的(📞)(de )男孩(hái )的样(🤘)子(zǐ )。

《美丽(📁)人生》讲述的(🥉)是为了家人辛劳(láo )操(🌹)劳(láo )了一辈(bèi )子四(sì(😚) )位爷爷，四(sì )个人为了(🔠)完(wán )成各自(🔲)心中(zhōng )的(📚)遗愿清单(dā(👽)n )变身YOLO一族(🤡)的(de )搞笑故事(🔱)。

A serial killer strikes Sugar Grove, Virginia. A rising journalist comes to town to cover the story : her investigation will soon lead her to the town's darkest secret, at her own risks.

Ann is consumed by the fantasy of finding true love. Just when she thinks she's found it, she is friend-zoned. The disappointment of rejection sends her into an obsessive downward spiral that tests the limits of her sanity and the strength of her closest friendship. In order to reclaim her bearings on reality, she confronts her overgrown fantasies by making a film about the experience. The result is a vulnerable, hilarious, and vibrantly stylized investigation of love.@